![]() ![]() Read this post if adding 5.1 sound from 6 mono audio files or a Quicktime /MXF 5.1 mix interleaved wave file to the 5.1 audio trackĬorrect channel order for 5.1 tracks: Left, Right, Center, LFE, LS, RS I will make a 2K 25 FPS SMPTE DCP so I choose the same project frame rate as the video file:Ĭhange Audio Track Type to – 5.1, not 5.1 Film ![]() It is best to make the DCP in the original frame rate. Start a new project and choose the DCI resolution in Timeline Format in project settings that best matches the resolution and aspect ratio of the film:Įxample 2K DCI Flat 1998 x 1080 DCP Frame rates Change the project setting to a Flat or Scope DCI resolution Great deinterlacing and scaling of older video materialĮxample: How to make a 2K Flat SMPTE 25 FPS DCPįrom a 25 FPS Rec.709 2.4 gamma 1998×1080 Quicktime/MXF Prores 422 HQ and a separate interleaved 5.1 wav file.Ī typical video file converted to a DCP is made from a high bit rate cine-camera source.It is made for color grading and video editing. ![]() I have also written tutorials on how to make DCPs for free in DCP-o-Matic andĪdvanced DCPs in Fraunhofer Easydcp Creator Plusīlackmagic Davinci Resolve Studio’s main advantages are: See this post for more info on the Easydcp plugin. The Easydcp plugin (€949) supports encrypted DCPs, the Kakadu does not. In the free version, you will get a watermark on DCPs. You can export DCPs using the built-in Kakadu JPEG2000/DCP encoder in Resolve 17/18 Studio ($295). ![]()
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